1/27/2024 0 Comments Julian lloyd webber sheet musicWhen Julian went back to the UK, they kept in touch by phone and email, although the time difference made it difficult. “We had time for some long conversations that day and everything felt really comfortable,” recalls Jiaxin. He invited her to his concert the next day instead, in a city more than an hour away, and she offered to drive them there in a hire car. Unfortunately, the car in front braked suddenly and I ran straight into the back of it.” She arrived late, and met Julian as he was leaving the stage door. “There was a track I thought was really lovely and I looked down at the CD cover to see what it was. He had given her his new CD, Unexpected Songs, which she had been listening to in the car on the way. Again, Jiaxin met him after his rehearsal, and he invited her to the concert. It had been, he says, “a very difficult time for me” (his third marriage was breaking up). The next time they met, in 2006, on Julian’s last tour of New Zealand, was “when something really started to click,” he says. “Being a cellist herself, she was very helpful, and I was able to get a good recording.” “At rehearsal, the sound wasn’t good and I asked Jiaxin if she could come and listen,” says Julian. By then, Jiaxin had graduated and was playing in the Auckland Philharmonia and the New Zealand Symphony Orchestra. Julian got her email address, and contacted her two years later when he was on tour in the country again to ask if she was still in New Zealand, adding that he might need her technical help with a concert that was going to be broadcast. “Our teacher took us backstage to say hello,” she says. Born in China, Jiaxin had graduated from the Shanghai Conservatory of Music, and was doing a master’s degree at Auckland University. The first time, in 2000, Julian, the celebrated cellist, was on tour in New Zealand, and Jiaxin was one of a number of music students invited to hear him rehearse. “…a succession of hilarious anecdotes…continuing through a brilliant career with amusing but pungent comment.It wasn’t until the third time Julian Lloyd Webber and Jiaxin Cheng met that the idea of a romantic relationship seemed a possibility. Robert Mathew-Walker, Music and Musicians ![]() “Julian Lloyd Webber’s large circle of admirers will find this book written with the same lack of pomposity which characterises his many live appearances.” ![]() “…always his devotion to music, music-making and instrument which has shaped his career bubbles over in its enthusiasm.” JOHN BORWICK Book reviews, 1985 Travels with my cello Nevertheless, this is a CD which does much to further Julian Lloyd-Webber’s aim of “bringing a vast new audience to the cello”, just like his recent book which has the same title as the disc, Travels with my Cello (Pavilion Books.) Some of the music chosen for these transcriptions will seem odd to music purists: the Bach/Gounod Ave Maria starts with Bach’s First Prelude on piano solo, then the cello enters with Gounod’s vocal line, and the whole orchestra gradually joins them. Here we have the English Chamber Orchestra adding just the right degree of polish in its accompaniments arranged by the record’s producer Christopher Palmer. His own arrangements for cello and piano of these wide-ranging items have been published, and should encourage emerging cellists. “The cello can do far more than most people think”, says Julian Lloyd Webber in the sleeve-note, and goes on to prove it in virtuoso performances of 12 show-off pieces. The Swan: Andante affettuoso Ave Maria Sabre Dance (all arr. ![]() ![]() Including.- Flight of the bumble-bee Golliwog’s cake walk Londonderry Air Pizzicato Polka BUY HERE Gramophone March 1985 TRAVELS WITH MY CELLO.
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